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quinten.edward.williams@gmail.com

Catalogue: Movement and its limitation within an environment

  • May 28, 2017

Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The movement of the city, and broader urban-rural relationships, viewed as an assemblage,…

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Ideas regarding sketching and the reversed image

  • April 20, 2017

It is seldom that paintings or prints follow a direct route, or a highly planned sequence of steps to completion. My making process is one of continuous reassessments to codifications, and re-adjustments to forms and relationships. This process can be…

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My interest in monotypes and monoprints

  • April 20, 2017

Paintings are produced in a way that precludes exact reproduction. Printmaking methods, such as etching, woodcut and linocut, allow for the reproduction of the same work, though the prints that constitute an edition always have minute variations that result from…

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Printmaking and Painting

  • April 20, 2017

Over the last few years I have experimented with a range of printing approaches in collaboration with the printmakers at the David Krut Workshop. The printmaking collaboration process has been productive for me, because it is one that is based…

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Reading the Zine Image

  • December 20, 2016

The zines from the Sex Worker Zine Project are powerful visual and narrative accounts of personal struggles and successes, everyday realities, beliefs, hopes and dreams. These visual stories are crafted around aspects of participants’ lives that they wanted a public…

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Arts-based research, expressive forms and uncertainty

  • November 22, 2016

Arts-based research is being used in and between a variety of fields. From the arts and humanities to the social sciences and health sciences. It is a rapidly expanding methodological approach that is providing opportunities for researchers to conduct studies…

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The workshop as an ephemeral assemblage

  • October 8, 2016

An important undercurrent in the arts-based research projects that I have been involved in has been the relationships that form within a workshop space, and the project’s relationship with other assemblages. In this blog post I will look at ideas…

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Writing a position

  • September 27, 2016

As I am writing this entry, I have noticed that there are some daytime sounds I hear quite often: the rumbling of the diesel engine of a construction vehicle and the operator’s demolition of a structure; the acceleration of cars…

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