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quinten.edward.williams@gmail.com

Some thoughts about the Bua Modiri workshop encounter

  • October 29, 2019

This piece was originally published on the Bua Modiri project website.   Workshops constitute profound lived experiences and moments of making-thinking in the world. Workshops, which are both planned and improvised encounters, entail a high degree of non-linearity in the…

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MoVE, Participation, and Partnerships

  • October 9, 2017

In the introduction of the Handbook of Arts-Based Research Patricia Leavy (2017) lists various properties of arts-based research. One of these properties is that arts-based research methods are open to participation. Arts-based research methods, and the projects they occur within, require participation.…

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Paintings and Sculpture

  • August 23, 2017

For the last few years I have been working with an idea that while paintings can relay a subject matter through an image, they are also bodies that have an influence on the bodies around them. In this sense I…

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MoVE Projects and the public/private distinction

  • August 20, 2017

In this post I make some initial notes of a mechanism employed in various MoVE projects: namely, the interfacing of the social constructs of the public and the private. How the public/private distinction was used in past projects The first…

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A note about painting

  • August 18, 2017

The painting process could be described as thinking and sensing through the handling of materials in contexts. The painting process, the materials used, the compositions that form, and the combinations of paintings I make, offer chances to think about and sense aspects…

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Interruption and invention

  • July 6, 2017

We have a limited ability to sense or know the total variation of the complex processes between the bodies and forces that comprise the world. There is a certain opaqueness in the way we sense the variation which occurs in…

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Sketching an experience of place

  • June 30, 2017

Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs…

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Artistic production and place making

  • June 26, 2017

Aspects of my methodological position are informed by ideas within the discourse which arises in the conjunction of art and research. There is currently much theorisation relating to art making, thinking processes, affect, and how artists work with concepts and…

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