Movement and its limitation within an environment (2017)

For the last few years I have been working with an idea that while paintings can relay a subject matter through an image, they are also bodies that have an influence on the bodies around them. In this sense I…

The painting process could be described as thinking and sensing through the handling of materials in contexts. The painting process, the materials used, the compositions that form, and the combinations of paintings I make, offer chances to think about and sense aspects…

We have a limited ability to sense or know the total variation of the complex processes between the bodies and forces that comprise the world. There is a certain opaqueness in the way we sense the variation which occurs in…

Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs…

Aspects of my methodological position are informed by ideas within the discourse which arises in the conjunction of art and research. There is currently much theorisation relating to art making, thinking processes, affect, and how artists work with concepts and…

Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland.     https://issuu.com/quintenedwardwilliams/docs/quinten_edward_williams__2017__move       The movement of the city, and broader…

It is seldom that paintings or prints follow a direct route, or a highly planned sequence of steps to completion. My making process is one of continuous reassessments to codifications, and re-adjustments to forms and relationships. This process can be…

Paintings are produced in a way that precludes exact reproduction. Printmaking methods, such as etching, woodcut and linocut, allow for the reproduction of the same work, though the prints that constitute an edition always have minute variations that result from…

I have wanted to explore a relationship between painting and printmaking, but because I have a limited time every year in which I can collaborate with the printmakers of the David Krut Workshop, any practice based approach to this has…

Over the last few years I have experimented with a range of printing approaches in collaboration with the printmakers at the David Krut Workshop. The printmaking collaboration process has been productive for me, because it is one that is based…